Why I Will Never Participate In National Novel Writing Month

(And Why Some People Do)

 

Because I am diametrically oppossed to the stated purposes of National Novel Writing Month:

National Novel Writing Month is a fun, seat-of-your-pants approach to novel writing.

Oh. Well, I actually agree with that aim 100-percent. Novel writing should be fun most of the time.

Valuing enthusiasm and perseverance over painstaking craft, NaNoWriMo is a novel-writing program for everyone who has thought fleetingly about writing a novel but has been scared away by the time and effort involved.

But here I part ways…

Enthusiasm and perserverance are to be valued--for sure--so why does the conclusion of this sentence contradict itself? Someone who has "thought fleetingly" and has been "scared away by the time and effort involved" isn't perservering or enthusiastic.

Oh. I get it. This isn't a contradiction, but rather, the handy statement-of-problem-and-intro-to-solution structured sentence. My bad.

So what's their solution for otherwise enthusiastic and perservering writers to overcome their fear of time and effort?

Because of the limited writing window, the ONLY thing that matters in NaNoWriMo is output. It's all about quantity, not quality. The kamikaze approach forces you to lower your expectations, take risks, and write on the fly.

But I don't want to lower my expectations. Nor do I want the quality of my writing to suffer in service to speed. When someone reads your book, they could care less how long it took to write it. They simply want to read an entertaining, well-written book.

A kamikase approach forces writers to "take risks" they probably don't want to take (more on this a minute). Such an approach also eliminates the very real risk involved in trying your absolute best, and knowing that your best might not be good enough to enthrall your intended audience.

That's risk. Worthwhile risk.

By favoring quantity over quality, what a writer really risks is reinforcing bad habits…

Make no mistake: You will be writing a lot of crap. And that's a good thing.

Uh, no. Writing a lot of crap is good practice for writing crap. This is NOT a "good thing." This is a bad thing. Unless. that is, your aim is to excel in writing crap. I assume the goal of most writers is to write the best prose they can.

There is much truth in the saying "repitition is the mother of all skill." Recent research into what separates great artists and musicians from the merely good identifies the amount of "deliberate practice" [emphasis mine] as the single most important variable.

By forcing yourself to write so intensely, you are giving yourself permission to make mistakes. To forgo the endless tweaking and editing and just create. To build without tearing down.

I would argue that writing as fast as you can, and not bothering to edit much if at all is the antithesis of writing "intensely." My definition of intense writing emphasizes precision; taking the time necessary to capture the vivid, fresh, unique image; rewriting individual sentences and paragraphs until no alternative wording more perfectly expresses the idea you intended to communicate. Yes, time and effort are required. Time and effort are good things.

One could argue that NaNoWriMo is really about creating a novella-length rough draft, and that participants can go back later and edit / rewrite the "crap" they've produced, leading to a second or third draft. But they don't argue that (at least on the "About" page I'm quoting from). Instead:

They started the month as auto mechanics, out-of-work actors, and middle school English teachers. They walked away novelists.

Novelists? Really?

Maybe if participants did in fact edit and rewrite their initial 50,000 words into something representative of their absolute best work, then yeah, I think I could call them novelists at that point… But this additional effort would take longer than a month in most cases. So maybe "National Novel Writing Month" should be renamed to: National Novella-Length Rough Draft Writing Month. (True, it doesn't have quite the same ring to it--but hey--in the spirit of nanowrimo, this post is all about quantity, not quality.)  wink Then December could be National Rewrite Your Crappy Novella-Length First Draft Month. But I digress…

As for the "permission to make mistakes," you already have this permission everytime you sit down to write--no one-month deadlines required. Even when striving to compose prose of your current highest quality, you'll flub up constantly. But it's the striving to write better that eventually makes you better.

I could go on, but alas, my work in progress is calling me, so I'll try to wrap this up. I need all the time I can get, because it takes me much longer than a month to complete a 100,000+ word polished manuscript.

I'll never participate in nanowrimo, but if you would enjoy doing so, by all means, knock yourself out. Just go in with your eyes open. Understand the very real (and well researched) risk of reinforcing bad habits through unchallenged repetition. And be willing to do the hard work involved in editing and rewriting your rough draft into something more likely to be read and enjoyed by others.

 


Author: Jeremy James
Shelved In: WRITING: Process
Main Topic: nanowrimo
Keywords: nanowrimo • 
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Comments:

  • I agree with what you say, definitely! (I never imagined really following that no-editing rule.) I think there are two categories of people: some that will naturally strive for their best but allow themselves to write anyway when it’s not going well, and those who just ... will produce crap. grin

    Mostly, though, I think of it as a big party. Amateur novelists make the best readers, you know ...

    (Okay, I was going to talk about quality vs. quantity, but I don’t want to do go on and on in your comments!)

    posted by: spyscribbler --
  • Ah, spyscribbler, I knew you would understand! And feel free to write an entire 50,000 word rough draft in my comments if you so desire, as I appreciate your wisdom.

    I should have mentioned in the post, too, that I am in favor of pretty much anything that encourages people to write more--however--NOT if there is a philosophy exhorted in the same breath which I find to be harmful.

    “Write more” = good.

    “Write more crap and be proud of it” = bad.

    “Write more of your best stuff” = ideal.

    posted by: Jeremy James -- San Diego
  • I did NaNo a couple of years ago. I wouldn’t trade the experience for anything.

    And I used to think of it the way you do. But I learned a couple of things while doing it:

    1. The NaNo organizers really don’t take things very seriously. The common denominator is to be a part of something that people talk about and to have fun.
    2. No one who participates actually expects to have a finished novel at the end of thirty days, let alone something that’s publishable as-is. Okay, maybe Konrath does and if anyone can do it, it’s him.

    But, really, in picking apart the group’s stated purpose, you’ve uncovered some of the truth about writing a novel that most people don’t understand: It’s hard work and good storytelling doesn’t magically appear, but you’ll never know whether or not you can do this if you don’t sit down and actually do this.

    And I think that’s part of NaNo’s “unstated” purpose.

    I thought about doing NaNo in subsequent years, but I’ve always decided against it. I love what it does for writing, both on a personal and a global level. I’ve opted out because I figured I didn’t need a dedicated month for writing, that every month is novel writing month.

    Great post!

    posted by: Rob in Denver --
  • Hello Again Rob! Awesome comments.

    I’m glad to see people who have actually participated in NaNo getting my point.

    I hadn’t thought of NaNo as having an “unstated purpose” of helping people realize just how difficult novel writing can be. Very insightful. And 30 days is certainly learning the lesson the hard way (which is what it takes most people--myself included--to learn anything).

    I suppose some people DO get motivated by the “social” aspects of NaNo, end up enjoying the process somewhat, and get motivated to write something more crafted (with no deadline) in the future. I’ll admit, that’s a good thing.

    My biggest concern with NaNoWriMo--and it’s the same concern I have with the “crappy first draft” advice so prevalent in how-to-write-books--is that “just getting the words down” robs the writer of the anxiety which actually reinforces the mastery of craft and process.

    Sure, you can go back and edit a crappy first draft and make it better...but even if you try your level best to get it “right” the first time, it will *still* be in need of editing to produce your best work.

    By laboring over the first draft and taking pains to capture our vision as best as we possibly can, writers enjoy at least three advantages that the just-get-it-downers don’t enjoy:

    1) The inspiration behind the imagery and ideas we’re trying to express will still be fresh, enabling us to use the most accurate words to convey our intentions.

    2) We’ll be practicing writing our best prose throughout the entire draft--which will take a long time--and this extended “time on task” will cause us to improve in our craft FASTER (i.e., we may write slower, but we improve as writers more quickly).

    3) When we do get around to rewrites and edits, we’ll be improving a more refined, more complete piece of work. This will save us time during the editing, and / or enable us to produce a superior book. (To me, a rough enough draft is nothing more than a wordy outline; I hate outlines.)

    posted by: Jeremy James -- San Diego


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